WORKSHOP DI MOVIMENTO
Donne che corrono coi lupi
con Jacqueline Bulnés
DATE DA DEFINIRE
rivolto a performers pre-professioniste e professioniste
Jacqueline Bulnés, ex-solista della Compagnia di Martha Graham e Jose Limón a New York, sceglie il libro di Clarissa Pinkola Estés per questo suo nuovo workshop di movimento, un libro che guiderà un lavoro rivolto a performers pre-professioniste e professioniste che si riconoscono nel genere femminile. Un viaggio per immergere corpo e voce in un risveglio dell’archetipo della Donna Selvaggia, la donna che corre coi lupi.
Clarissa Pinkola Estés è scrittrice, poetessa e psicoanalista statunitense, specialista in disturbi post- traumatici. Donne che corrono coi lupi è un’opera letteraria che dagli anni Novanta continua ad affascinare intere generazioni; una raccolta di storie, fiabe e leggende che l’autrice approfondisce e rielabora per guidare le donne ad essere consapevoli della propria forza, ad essere libere.
“In tempi duri dobbiamo avere sogni duri, sogni reali, quelli che, se ci daremo da fare, si avvereranno… Arrivano momenti in cui è d’obbligo liberare una rabbia che scuota i cieli”
“This performance is certainly symptomatic of new directions taken by contemporary theater and perhaps it will be considered a milestone in the theater of our
century.”
(Antonio Sangues, “The eclectic performance born from the joint genius of Bulnes and Gjersøe”, Cultur Social Art, December 24, 2019)
“A unique, sensual and inexplicably beautiful dance & music performance.”
(Lars Stokbro, “The Fat Cat and a slim dancer changed the musicians life”- an interview with Jacqueline’s collaborator Niklas Emborg Gjersøe about their project “The Gravity Between”, Jydske Vestkysten Newspaper, June 18, 2019)
“We see singing wind and trees, claustrophobia, madness, constraint from which to free ourselves, suspended beings and rebirth in its highest form. This piece invites us to live what we feel at the moment… feeling immersed in a new dimension. The choreographer focuses on the concept of gravity as a magnet providing energy to its audience with a genuine sense of humanity and unity.”
(Annalisa Civitelli, “The Dance of Nature”, Brainstorming Culturale, December 31, 2019)
“There are two elements that are unequivocally identified during this performances. There is a common BREATH of movement so intense that it somehow involves its audience… There is a reverberating FORCE moving through a spectrum of tension, abandonment and aesthetic precision, pervading each action and intention.”
(Giada Somenzari, “Between Prayer and Ascension” Gufetto, January 5, 2020)
“Jacqueline Bulnes’s portrayal of “His Friend’s Wife” (Emilia) was particularly riveting: her sense of betray a land horror unmistakably expressed.”
(Jerry Hochman,”Limón Dance Company: Enduring Legacy”, Critical Dance, June 1, 2019)
“Jacqueline Bulnes…possessed of a marvelously severe
physicality.”
(ClaudiaLaRocco,”The Brontës Are Here to Mess With Your Head”, New York Times, March 19, 2012)
